Transpoesie festival closing event with eight European poets: Lea NAGY (Hungary), Stina INGA (Sweden — Sápmi), Rannvá HOLM MORTENSEN (Faroe Islands), Halyna KRUK (Ukraine), Teele LEMBER (Estonia), Raquel SEREJO MARTINS (Portugal), Saara HERMANSSON (Sweden — Sápmi) and Katharina WENTY (Austria). Moderator: Vanessa Daniëls and Philip Meersman.

https://www.facebook.com/photo/?fbid=646983760913701&set=pcb.646999804245430

The 13th edition of the international poetry festival is back in full force with fresh voices, focusing on architecture, environment and decolonisation

Transpoesie 2023: Take Back the Stage celebrates the unique relationship between poetry, nature and architecture, creating living environments that inspire and ignite the imagination highliting as well the unique, seductive, and evocative creations of the Art Nouveau period in a very special way.
This year Transpoesie will amplify female voices in European poetry in joining the celebration of Art Nouveau in Brussels, adding their own poetic angle to it. We are creating a series of...

The Danylo Husar Struk Programme
Canadian Institute of Ukrainian Studies
University of Alberta
announces
the Danylo Husar Struk Memorial Lecture

Prof. Olena Haleta
Lviv University &
Ukrainian Catholic University

Visiting Prof.
Harvard University

To Be (With) the Other: Sophia Yablonska’s Travelogues as Modernist Auto-narrative

Friday, May 12, 2023, 3:00 PM (EST)

http://sites.utoronto.ca/elul/Struk-mem/lect-2023.html

Video – https://www.youtube.com/watch?v=HoKqLRfwmlA

The Ukrainian language classes helping Britons talk to refugees.

The lessons are being taught by Nataliia Faryna, an associate professor of applied linguistics at the Ivan Franko National University of Lviv.

The city in the west of the country has not been hit as hard by fighting as some other parts of Ukraine. A number of the university’s buildings have been used as a shelter for people who fled conflict zones. While classes were paused when war broke out, Ivan Franko has...

Abstract
The diary of Yury Mezhenko, which was considered lost since the 1950s, contains entries from 1919 to 1926 and reflects the Ukrainian cultural life of that time and the personal life of the author, one of the most prominent literary critics and bibliographers of that period. Written with the intention of recording historically significant processes and figures in Ukrainian literature during the period of revolutionary transformation, this document contains unique evidence of a rapidly changing intellectual landscape and everyday life, the formation...