Nomenology (poetics of paratext), problems of artistic space-time, intermediality; receptive poetics; the literary underground of the 70s of the 20th century, French studies (in particular, the poetry of I. Franko), the work of Valery Shevchuk, Hryhoriy Chubai, Oleg Lyshega, Kostyantyn Moskalets; modern literary criticism.

PUBLICATIONS

In total, as of 2022: 3 monographs, 135 scientific and literary-critical articles, reviews, interviews, etc. (2 in foreign languages: Romanian and Armenian).

Monographs:

    Individual:

Cheletska M. Nomenosphere of Ivan Franko’s Poetry (Poetics of Titles, Dedications, Epigraphs) / National Academy of Sciences of Ukraine. Lviv branch of the Institute of Literature named after T. G. Shevchenko; Ans. Ed. M. Z. Legkyy. Lviv, 2007. 304 p. (French studies series. Issue 9): http://ifnan.gov.ua/edition/1/421/

        Collective:

Stereometry of the Text: Studies on the Poetic Works of Ivan Franko / M. Barabash, V. Neborak, B. Tikholoz, N. Tikholoz / Ref. and science ed. B. Tikholoz.  Lviv, 2010. 288 p. [In the title: National Academy of Sciences of Ukraine. Lviv branch of the Institute of Literature named after T. G. Shevchenko. French studies series. Vol. 14].

Prose Criticism: Articles and Essays / V. Neborak, I. Kotyk, M. Kotyk-Chubinska, M. Barabash, K. Levkiv; Lviv. From T.G. Shevchenko National Academy of Sciences of Ukraine. Kyiv.: Grani-T, 2011. 328 p. (De profundis series).

Selected scientific articles:

1. Barabash M. Genre Features and Figurative and Stylistic Dominants of Valery Shevchuk Gothic-Parable Prose // Volyn – Zhytomyr Region: Historical and Philological Collection of Regional Problems: in honor of the 70th-Anniversary of the honorary professor. I. Franko, writer Valery Shevchuk. Zhytomyr, 2010. № 20. PP. 6 – 22. http://dspace.nbuv.gov.ua/handle/123456789/31848?show=full
2. Barabash M. Synergetic Concept of Creativity Among Poets of the first Decades of the 20th century (B. I. Antonych, V. Svidzinskyi, I. Annenskyi) // Paradigma. Lviv: Institute of Ukrainian I. Krypyakevych Studies. National Academy of Sciences of Ukraine, 2011. Issue 6. PP. 111–120.
3. Barabash M. Art as Souvenir Goods: the Alternative Ars Poetica by Bohdan Ihor Antonych // «Art is Created by Madnes and Mind». Creanive Works by Bohdan Ihor Antonych: Acceptance and Interpretations: collection of scholarly works / Ivan Franko National University in Lviv. Department of Literature Theory and Comparative Studies. Lviv, 2011. [Series “Ukrainian Philology: Schools, Personalities, Problems”; issue 11]. PP. 479 – 495.
4. Barabash M. The Sacralization of the Mystical in «Book of Stories» by Valeriy Shevchuk // Questions of Literary Studies: collection of scholarly works. Chernivtsi: Chernivtsi National University, 2011. Vol. 84. PP. 291–297. http://www.irbis-nbuv.gov.ua/cgi-bin/irbis_nbuv/cgiirbis_64.exe?I21DBN=LINK&P21DBN=UJRN&Z21ID=&S21REF=10&S21CNR=20&S21STN=1&S21FMT=ASP_meta&C21COM=S&2_S21P03=FILA=&2_S21STR=1_8_431Pl8_431
5. Barabash M. M. Identity of Implicit “I”-character in the Present-day Ukrainian Prose // Scientific Works: scientific and methodological journal. T. 168. Issue 156. Philology. Literary studies. Mykolaiv: Publishing house of Petro Mohyla Black Sea State University,  2011. PP. 9–15.
6. Barabash M. Model of Artistic Cycle in view of Roman Ingarden Theory of two-dimensional Sructure of Literary Work // [Studia Ingardeniana. T.2. Poetyka textu literackigo. / Polska academia nauk otwiat w Lublinie; Teka Komisji polsko-ukraińskich szydoków kulturowych] Ingardenian’s Studies. T.2. The Poetics of the Literary Text. / Polish Academy of Sciences in Lublin; Teka Commission of Polish-Ukrainian Cultural Ties. T. VI. Lublin, 2011. PP. 32 – 40.
7. Barabash M. Genre-compositional and Eidological Peculiarities of Poetic Cycles «David’s Psalms» by Taras Shevchenko and «On Old Themes» by Ivan Franko // [Taras Şevcenko – un apostol al neamului ucrainean] Tapac Shevchenko is the Apostole of the Ukrainian People. Bucharest, 2013. PP. 111 – 117.
8. Barabash M. Space of Time and Time of Space: on the Edge of the Worlds Illusion (the Poetics of Two Worlds in the Works of Valery Shevchuk «Closed Door of our “I”» and Yaroslaw Melnyk «Goes on Forever» and «A Piano Room») // Dialogue Overtones: Science Collection in honor of the memory of Professor Nonna Kopistyanska / National Academy of Sciences of Ukraine; Ivan Franko Institute. Lviv, 2014. PP. 310 – 316. (Series «Literary horizons». Vol. 19).
9. Barabash M. Genre-style Searches of Valeriy Shevchuk in the Modernist «Prose Theatre» of the New Millennium // Valeriy Shevchuk in the intellectual dialogue of humanistic eras: Collection of scientific works and materials. Lviv: Ivan Franko Lviv National University, 2015. (Series [Series “Ukrainian Philology: Schools, Personalities, Problems”. Issue 16). PP. 60–71.
10. Barabash M. «In the Captivity of Lightened Sounds»: Types of Musical Suggestions of the Genre of Essay (based on the works by Oleg Lyshega and Kostyantyn Moskalets)»  // Musical Texture of a Literary Text: Intermedial Studies / editor by Svitlana Macenka. Lviv.: Apriori, 2017. PP. 301 – 314.
11. Cheletska M. The Late-Modernism Markers of the Literary Generation of 1970: Peculiarities of the Underground Poetics // Visnyk of Lviv University. Philological series. 2018. Issue 67. Part 2. PP. 116–128.
12. Cheletska M. Franko’s «Peculiar Language of Canon and the Fish» in the Interpretation of Oleg Lyshega  // «I am a prologue…» : Materials of the International Scientific Congress for the 160th-Anniversary of the Birth of Ivan Franka (Lviv, September 22-24, 2016): in 2 volumes. Volume 1. PP. 783–794.
13. Cheletska M. Jazz Score and Meta-artistic Code for Montage Novel (as based on the collection “Acacias bloom” of Deborah Vogel) // Literary and Jazz Improvisations: Intermedial Studies / Ed. Svetlana Macenka. Lviv: Silver Word, 2019. PP. 262 – 274.
14. Cheletska M. The Poetics of Film Effects in the Creativity of Oleg Lyshega // «Strange Charms of Poetry». French Studies and Other Studies / National Academy of Sciences of Ukraine. Ivan Franko Institute. Lviv, 2020. 392 p. (Literary Studies series; issue 25). PP. 360 – 375. http://ifnan.gov.ua/ua/edition/2/871/

Selected reviews:

Valeriy Shevchuk: «I am a pure modernist» [Talked with the writer Maryana Barabash] // Golden Pectoral. 2012. № ½. PP. 61 – 65. https://issuu.com/zolpek/docs/zolotapektoral9

Maryana Cheletska was born on July 30, 1979 in Lviv. In 2001, she graduated from the Faculty of Philology of Ivan Franko National University of Lviv and obtained the qualification «Specialist. Teacher of Ukrainian language and literature». In 2002, she completed her master’s degree at the Ivan Franko Lviv National University, and in 2004, she completed her postgraduate studies at the Lviv branch of the Institute of Literature named after T. G. Shevchenko, National Academy of Sciences of Ukraine. From 2004 to 2017, she worked in various positions at the Lviv branch of the Institute of Literature named after T. G. Shevchenko, renamed in 2012 to the Ivan Franko Institute of the National Academy of Sciences of Ukraine: in particular, from June 2009 to June 2015 – in the position of academic secretary.

In October 2006, at the Ivan Franko National University of Lviv, she defended her PhD thesis on the topic «Poetics of the title complex in Ivan Franko’s lyrics» (10.01.01 – Ukrainian literature). In 2012, he was awarded the academic title of senior researcher.

In 2007 – 2010, she worked part-time as senior lecturer at the Lviv branch of the Kyiv National University of Culture and Arts. He has been teaching at Lviv University since 2013. Since 2017, he has been working as an associate professor at the Department of Literary Theory and Comparative Studies as his main job.

Award winner:

Solomiya Pavlychko Prize (2009) for the article «Labyrinth code as a subject of semiotic anthropology research (Published in: Studia methodologica. Ternopil: TNPU, 2008. Issue 24. PP. 132–138)

Prize of the National Academy of Sciences of Ukraine for young scientists (2012) for the monograph «Nomenosphere of Ivan Franko’s poetry (poetics of titles, dedications, epigraphs)» (Lviv, 2007).

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